2020 Writing Goals

I always commit to too many goals and projects. For example, in 2019, not only was I going to finish the next draft of my novel, but I would write a twenty-episode podcast, publish a collection of short stories, and publish my non-fiction blog project. None of those things happened. And I’m glad they didn’t. Instead, I spent my time developing other important and essential areas of my life. After much reflection on productivity and goal setting the last few years, I’m committing to a much simpler set of writing goals in 2020. I’m setting two goals: First, I will finish the fourth draft of my science fiction novel. Second, I intend to blog about the writing experience at least every two weeks. I hope readers of my short stories and my fellow writing friends will enjoy this journey with me.  Cheers, and good luck with your goals and projects in 2020. Let’s make it a great year. [Keep Reading]

THE SCHLIKT Audio

Halloween 2018 was one of my personal favorites. We had a great many riveting writers sharing their work via audio for the Kyanite Press Special Halloween Edition. A special thanks again to the team at Kyanite Press for promoting such a fun way to share the Halloween spirit. If you haven’t picked up your copy, it’s a great edition. Also be sure to check out the audio version of my short story, THE SCHLIKT, for what I hope to be a riveting experience for my readers (and now my listeners).  [Keep Reading]

Interviews from the Void: Episode #20 – Joseph Pascale

Highlights The history of a writer’s first draft. Pen and notebook geekery. Different mediums for writing (notebooks, computers and typewriters) and their effects on our writing. Like many writers, a trail of failed novels came before this one, but they were only failures in the sense that they weren’t completed, not that I didn’t learn from them. Welcome to the twentieth episode of Interviews from the Void, where I interview writers about their writing process, discussing the mechanics and physicality of the craft. In this episode, I chat with writer Joseph Patrick Pascale about his blog and new book, HOW TO GET A PROMOTION WHEN YOUR BOSS IS TRYING TO KILL YOU, which comes out September 1, 2018. Arthur: You have an awesome blog where you discuss many of the fascinating physical tools associated with writing: the notebook, in a series you titled THE PHYSICAL WRITING PROCESS. How much research did you have to do to write each article? What inspired you to start this project? Joseph: It can take quite a bit of research to gather sufficient material to write one of these articles. The series explores how writers are approaching their first draft stage. What tools do they use? What form have they created before they type it up into a proper manuscript? That’s not something writers always talk about, so it often has to be pieced together. Reading through several interviews, I can sometimes find bits and pieces of their approach to build a picture of their drafting process.[…] [Keep Reading]

Interviews from the Void: Episode #18 – Bill Ricardi

Highlights Developing maps and world building for fantasy stories. The importance of a book’s first line and how it is a promise to the reader of what’s to come. Our writing space and setting rules to free ourselves from distraction. I’m a proponent of the short, sharp paragraph. Welcome to the eighteenth episode of Interviews from the Void, where I interview writers about their writing process, discussing the mechanics and physicality of the craft. In this episode, I chat with fantasy writer Bill Ricardi about focus and the importance of writing a books’ first sentences. Arthur: I always love a book that starts out with a map. In ANOTHER STUPID SPELL, how did you develop Panos? How much world-building did you do before (or during) the writing of the book? Bill: Panos had about a month of backstory work before I wrote a single word that appears in the actual book. I started with the major gods, since I knew that they would be pivotal to the story. Then the Orc nations, because that was going to be my character’s main focus. The magic system came next, which is a mix of Kabbalistic principles and gaming tropes. Then the rest of the races, which in turn determined the landscape, the politics, and everything else. Arthur: The first line of ANOTHER STUPID SPELL is: “Me smart orc.” You had me right there. There’s a lot of writing theory about developing a great first line of a book, even beyond that to first[…] [Keep Reading]

Interviews from the Void: Episode #16 – K. M. Weiland

Highlights Writing a lot is the only thing that will improve our writing. The importance of outlining and the time it takes to write a great novel. Writing novels takes several years. Welcome to the sixteenth episode of Interviews from the Void, where I interview writers about their writing process, discussing the mechanics and physicality of the craft. In this episode, I chat with historical and speculative fiction writer K. M. Weiland about her prolific writing abilities and growing her writing business. For those writers out there who feel they are taking too long to work on a particular project, this interview is for you. I’ve learned by reading extensively…and putting in many, many hours writing my own words. Arthur: Your website is fantastic, filled with great articles with writing tips and your books, both fiction and non-fiction. Writing is also your full-time job. Did you always want to be a writer? Did you study writing in any school, or have you done what most of us do, just learn by writing? Katie: Becoming a writer wasn’t so much a decision. It just happened—which is how I think the right things in life usually happen. I grew up horse crazy, spent part of every summer working on a friend’s cattle ranch in Wyoming, and thought I’d end up being a horse trainer. But somewhere in high school, I realized I was having more fun staying inside and writing than I was going outside and riding. So after graduation, I sold the horses and[…] [Keep Reading]

Interviews from the Void: Episode #15 – Sean Stone

Highlights Why outlining your story is critical to efficient writing. Writing dialogue in a way so all your characters don’t sound the same. How positioning our writing desks can improve our writing productivity. Welcome to the fifteenth episode of Interviews from the Void, where I interview writers about their writing process, discussing the mechanics and physicality of the craft. In this episode, I chat with horror writer Sean Stone about what influences the events in his stories and how to write better dialogue. Books with outlines are both easier to write and just better constructed. Arthur: On your About page, you note that you work as a lab technician. I’m assuming writing is not your full-time job. What is your writing schedule and how do you find time to write? Sean: That’s right, I have to fit writing around my day job. I usually do a couple hours of writing in the evening after work. I also dedicate one of my days off to writing. Sometimes I get a bit of writing done on my lunch break, too. Arthur: You have a great collection of books and stories you’ve authored. Describe your typical writing session. Are you a fast writer, just trying to get words on the page and finish the first draft? Or are you a slow writer, making sure every sentence is one that could be etched in stone? Sean: I try to write fast and just get those words down, but I’m rarely successful. I usually sit[…] [Keep Reading]

Interviews from the Void: Episode 14 – Manuel Arbanassi

Highlights How characters are the principle part of moving the story along. It’s more important to tell the story you want to tell than trying to cater to a specific audience. Writing with English as a second language. I’ve always been very interested in the characters – I think they are the principle part of the story, since they’re the ones moving it along. Welcome to the fourteenth episode of Interviews from the Void, where I interview writers about their writing process, discussing the mechanics and physicality of the craft. In this episode, I chat with urban and cyber fantasy writer Manuel Arbanassi about characterization and the importance of writing for yourself.  Arthur: Do you still live in Italy? What are the big genres selling well there? Is there much of a market for science fiction, horror or fantasy? Manuel: I do indeed still live in Italy, Monfalcone to be exact. It’s in the northeast. And when it comes to horror and fantasy, we tend mostly to get books from foreigner big names (for example Rowley, King, etc). We did have some names in our country as well, mostly in the high fantasy genre. Arthur: You have your website. Do you run it yourself? Manuel: Well, ‘running it’ is a bit of a strong word, but I do try my best! A friend of mine convinced to start a blog. I had another site before, but honestly it was poorly planned, and the fact that it was more of a ‘site’[…] [Keep Reading]

Interviews from the Void: Episode #13 – Claire Luana

Highlights That there’s no substitute for just doing the work of writing. Finding time to write while maintaining a demanding full-time job. Editing and the self-publishing process. There’s no substitute for just doing. Welcome to the thirteenth episode of Interviews from the Void, where I interview writers about their writing process, discussing the mechanics and physicality of the craft. In this episode, I chat with YA fantasy writer Claire Luana about finding more time to write and growing her brand and writing business. Arthur: Very recently, you quit a regular (and demanding, I should say) day job to write. One of the things I’m searching for in these interviews is how writers can make more time for writing and increase their productivity. When you had your full-time job, what was your writing schedule? Trying to do it all – write, work, and do normal life activities – were you ever completely exhausted? How did you push through and keep writing? Claire: Thanks for having me on the blog, Arthur! When I first started writing, I would write on the bus on the way to and from work (about a 40 minute ride each way). That worked great (so long as I got a seat that day!) But, about a year into writing, my commute changed, so I needed to find a new solution. I’m a morning person and found that I absolutely couldn’t write worth a damn after a long day of work. The obvious solution was to write in[…] [Keep Reading]

Interviews from the Void: Episode #12 – Kristina Mahr

Highlights Pursuing our dreams as writers. The traditional publishing process. The importance of writing weekly short stories to improve our writing craft. This is my dream, and that I am lucky to have the opportunity to pursue it. Welcome to the twelfth episode of Interviews from the Void, where I interview writers about their writing process, discussing the mechanics and physicality of the craft. In this episode, I chat with young adult writer Kristina Mahr about finding more time to write and growing her brand with her first book, ALL THAT WE SEE OR SEEM, coming out on May 15, 2018.    Arthur: Your first book, “All That We See or Seem,” is coming out on May 15. Congratulations on your first book! What a great accomplishment! How did you just decide “I’m going to do this” and push through all the obstacles of writing a book? Kristina: Thank you so much! Honestly, it was years in the making. My New Year’s resolution had been “write a book,” or “try to write a book,” or some variation of that with increasing frustration with myself since college. I would chip away at an adult contemporary novel that lived in my head, but I was very sporadic and inconsistent with my writing time. Until my sister had a dream one night about a girl who falls in love with a boy she meets in her dreams, and I couldn’t shake it. I have been an avid Young Adult reader for years, and[…] [Keep Reading]

Interviews from the Void: Episode #11 – Benjamin Shelor

Highlights The magic of the first draft. Finding time to write when we have a family and a full-time job. Experimenting with our prose to find our own voice. I am of a mind that there should be an abundance of magic in the first draft. That’s where the story is born, and as with any life, inception is a work of wonder. Welcome to the eleventh episode of Interviews from the Void, where I interview writers about their writing process and the mechanics and physicality of the craft. In this episode, I’ve asked Benjamin Davis Shelor about his writing process and what draws him to fantasy and science fiction. Arthur: You’ve been writing for a long time. Since childhood. Is writing now a full-time occupation for you, or do you have another full-time job and or a family? What is your writing schedule and how do you find time to write? Ben: For me, writing has always been more a way of life than a way to make a living. If it ever became an income to support a family I’d be all for it. But I’m a pragmatist and so I have a full time job (in a field that I like even) to pay the bills and support a family. Which means my writing comes in sentences and paragraphs strewn throughout a chaotic day. It also means I have plots thickening on back burners while family time and work time are happening. That way, when the elusive[…] [Keep Reading]